Sterling Silver Scroll Wire Ring - Size 5.5

Sterling silver ring built from a single length of round wire bent into a freeform scroll that runs vertically across the face. The wire doubles back on itself in a series of open S curves, one sweep above the shank and another below, with the tail of each end finishing in a tight hook that curls back on itself and stops without touching. A small polished silver bead sits at the center where the scroll crosses the flat band, anchoring the design and marking the midpoint. The shank is flat and slim, a plain ribbon that lets the wirework stand entirely on its own.

The construction is what sets this apart from a cast ring. The scroll is formed rather than molded, and the wire keeps a rounded profile all the way through so every curve carries a bright highlight along its length while the gaps between them stay wide open. Because the design extends well past the width of the shank at both top and bottom, it sits vertically along the finger rather than horizontally across it, which is an unusual orientation that reads as far more sculptural than most silver rings this light. The single bead is the only solid element, and the contrast between that one round point and all the open line is what makes the composition hold together.

Ring size 5.5. The thin flat shank keeps the ring nearly weightless, and it arrives packaged and ready to gift or add to your collection.

Verifications:
Sterling silver has been verified using JSP Silver Testing Solution.

Details:
Metal: Sterling Silver
Design: Scroll Wire
Ring Size: 5.5
Condition: Good estate condition

Fun Facts:
Scrollwork built from bent wire descends from the same tradition as filigree, where smiths shaped drawn wire by hand around forming tools rather than casting a design, a technique that leaves each piece slightly individual since no two bends come out identical.
The open S curve running through this design is one of the oldest decorative forms in metalwork, appearing in Celtic and Scandinavian ornament centuries before it was formalized as the line of beauty in eighteenth century European design theory.